High tech and low life abound in Kathryn Bigelow’s 1995 cyberpunk noir. We explore why mainstream audiences usually take to sci-fi instead — and the potential dorkiness of steampunk.
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High tech and low life abound in Kathryn Bigelow’s 1995 cyberpunk noir. We explore why mainstream audiences usually take to sci-fi instead — and the potential dorkiness of steampunk.